• Works 2001 – 2021
    • Skinprints/Book
    • in times of Corona
    • en route
    • The longer I look from 'Photographic Notes' since 1981
    • Photographic Notes continued «one morning, I received a call from a father asking me to photograph his three daughters – later that afternoon, I received another call from another father also asking me to photograph his three daughters»
    • Care Centre
    • Book Project 2014 «we did what we always did»
    • Exhibitions 2012-2015
    • Camera Obscura Narrative Bailey (it is, in fact, her name) changes herself with the help of the „mutator“ (camera obscura) into „Olpina“
    • Camouflaged Defence Systems 
Camouflaged Defense Systems 2011
Land Art Project / installation in a Swiss landscape.
Deteriorated sign bears the (lost) title  «Military Site – photography forbidden»
    • Trees' Own
    • photographic notes «I’m often shaky, sometimes that’s good, sometimes that’s bad»
    • flaxen diary
      • flaxen diary 1
      • flaxen diary 2
    • dancers / actors / studies
      • Dancers
      • actors
      • studies
    • Works on Photography «The gallery assistant in her gallery», Geneva, 2006
    • naturräume
    • Essay on Space
    • railway lines
    • lenin / klee / fromm Lenin: St. Johanns Vorstadt 48, Basel
The venue of a pre-revolutionary speech delivered by Vladimir Ilyich Ulyanov (Lenin), 1916
    • views
    • vals
    • nebelbilder
    • traveling at the same place
    • prodigal fathers
  • Works 1969 – 2000
    • SIX/TWELVE
    • chorea
    • Untitled
    • idem diversum
    • Innenräume
    • Battlefields Novara / 6 June 1513 / 25 November 1990
    • Bei sich
    • Vestiges
    • Table Series
    • Pola Portraits
    • Interiors
      • Music Academy,1979
      • Museums 1984
      • Prison Cells 1989
    • In Camera
    • SX'70
    • closed eye series
    • onlookers
    • Latent Images «Latent Images» – Exposed 35 mm film, undeveloped
    • Frame Series
    • Red Series
    • Early Works
    • Sequence
  • BIOGRAPHY
    • BIOGRAPHY
    • Exhibitions
    • Group Exhibitions
    • Publications
  • Contact
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/images.html
  • Works 2001 – 2021
  • Works 1969 – 2000
  • BIOGRAPHY

Works 2001 – 2021

  • Skinprints/Book
  • in times of Corona
  • en route
  • from 'Photographic Notes' since 1981 from 'Idem Diversum', 1991-95 from 'A Flash Diary', 1977-78 from 'A Flash Diary', 1977
from 'Flaxen Diary', since 2003
from 'Traveling at the same place', 2001 from '50/60 Polaroids', Amsterdam, 1980 'Room 14', 2004 – Traces of a room in the room  /  
'Gedankentafel', 2004 'James Turrell', 1987 from 'Ceilings', since 1989 from 'Naturräume' (Natural Spaces), 2004-10
    The longer I look
  • «one morning, I received a call from a father asking me to photograph his three daughters – later that afternoon, I received another call from another father also asking me to photograph his three daughters» «coincidental synchronicity» «A picture with Romana in 1976 – years later she will be fatally shot by her husband»

«forty-two cows» «how it used to be» «and now you’ve told me everything – you didn’t ask me anything» «certified holy bones» «to be one by night but two by day»
    Photographic Notes continued
  • Care Centre
  • «we did what we always did» «...as often in life, what we thought we must do we actually wanted to do» «scary subjects we turned into objects»
    Book Project 2014
  • Exhibitions 2012-2015
  • Bailey (it is, in fact, her name) changes herself with the help of the „mutator“ (camera obscura) into „Olpina“ The journey crosses the Briant Peaks, continuing along the north coast of the Column Islands, and into the uncertain southland of Costes-Cirgues. Meanwhile, in the dark of a small Swiss town, Elma (it is, actually, her name), transmutes into that which she has always been, an image. This transformation takes on visible form in Illustration Number 6. I (my configuration is called this), in wise premonition, had made this picture (it shows, in fact, Elma) many years before. 
Casa Donetta, November 2011
    Camera Obscura Narrative
  • 
Camouflaged Defense Systems 2011
Land Art Project / installation in a Swiss landscape.
Deteriorated sign bears the (lost) title  «Military Site – photography forbidden»
    Camouflaged Defence Systems
  • Trees' Own
  • «I’m often shaky, sometimes that’s good, sometimes that’s bad» «for those who can’t live without comparison» «Roberta acted the way she thought she was» «New York, summer, 1978» «Paul gets angry whenever he doesn’t understand something» «they would talk about anything to anybody but never with each other» «about the price of freedom of not belonging anywhere» « inside looking out – – outside looking in»
    photographic notes
  • flaxen diary
  • dancers / actors / studies
  • «The gallery assistant in her gallery», Geneva, 2006 Object: Glass and photography –
installation, Winterthur, 2009 «Latent Images» – Image-data on memory stick, Biel 2007 «ESSE EST PERCIPI», Margaret Street Gallery, London «Repeated Process» (photograph of crumpled paper, printed and re-crumpled), Paris, 2018
    Works on Photography
  • naturräume
  • «Photographic Essays on Space», Architekturmuseum, Basel 2006
    Essay on Space
  • railway lines
  • Lenin: St. Johanns Vorstadt 48, Basel
The venue of a pre-revolutionary speech delivered by Vladimir Ilyich Ulyanov (Lenin), 1916 Klee: Kistlerweg 6, Bern
The living room of Paul Klee's two-room apartment, used as a studio where his late and largest works were realized, 1934-1940 Fromm: Via Francini 4, Muralto
The study of the psychoanalyst Erich Fromm until his death in 1980
    lenin / klee / fromm
  • views
  • vals
  • Galerie Michel Fischer, 2003
    nebelbilder
  • traveling at the same place
  • Musée jurassien des Arts, Moutier and Galerie Gisèle Linder, Basel
    prodigal fathers
«we did what we always did» «...as often in life, what we thought we must do we actually wanted to do» «scary subjects we turned into objects»
click to enlarge


Fall, 2014
This book is for people who like to leaf through a book page by page from front to back – reading pictures instead of identifying subject matter (Lars Müller Publishers, 144 pages)


 

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